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![]() Escape To Nowhere By Amar Bhushan Pdf Hindu ModernForWe have previously published eight issues on the following themes, and all of them are available online: Ognijug (Vol.1, No.1) Bengali Cinema: Bengalis and Cinema (Vol.1, No.2) Bengali Theatre: Bengalis and Theatre (Vol.2, No.1) Science and Technology in History: Modern Bengali Perspectives (Vol.2, No.2) Literature and Movements: Bengali Crossroads (Vol.3, No.1) Kolkata (Vol.3, No.2) Bengali Music: Bengalis and Music (Vol.4 No.1) Microhistory: Bengali Perspectives (Vol.4, No.2)Editorial Late Suchitra Bhattacharya wrote a novel in the Sharodiya Desh Pujabarshiki (Durgapuja Festive Issue of the Magazine Desh), 2004, “Chneratar” (Broken Wire) which was an unacknowledged copy of Graham Greene's Heart of the Matter, as anyone reading these two novels side by side would easily recognise. Image/s are either provided by the authors/designers from their personal collections and /or are copyright free to the best of knowledge & belief of the editorial board.Journal of Bengali Studies is a double blind peer-reviewed online journal published since 2012. The image/s appearing in the Journal are parts of a critical project, not for any commercial use. 1 (© 2016)French Educationists in Colonial Chandernagore: A Tale of a College Antara MukherjeeThe Effect of Colonial Encounter on Medical Organization and Practice in Bengal Avijit SinghaSir William Jones and Max Muller: The Kalpataru of Scholarship Somnath SarkarReview Into the Exotic, around the World: Our First Globetrotters Ramnath Biswas and Bimal Mukherjee Mousumi Biswas DasguptaInterview “West Never Liked Russia, Never in the History, Be it Tsarist Russia, or Soviet Russia.”: Arun Som in Dialogues with Tamal DasguptaWorkshop My Great Great Aunt Who Died: A Story Amit Shankar SahaCommentary Friday Island Othoba Noromangsho Bhokkhon O Tahar Por: A Bengali Novel in Search of Arthetypal Narratives Champak Dyuti MajumderDisclaimer: The contents, views and opinions occurring in the contributions are solely the responsibilities of the respective contributors and the editorial board of Journal of Bengali Studies does not have any responsibility in this regard. The statement is ironically true, and perhaps the unintended irony lies in the use of the word province. Bengal culturally is a province of Europe: this statement (if apocryphally) is sometimes attributed to Buddhadeb Basu, the poet, professor of English and doyen of comparative literature in India (credited with opening this subject at Jadavpur University). But what is interesting is that Bengalis have continued to draw 'inspiration' from the west even during these dismal times when Bengal started to be ruled by mediocrity. Such plagiary was not easy earlier, because Bengalis knew the literature and cinema of the west very thoroughly, and any such attempt of plot-lifting would not have gone unnoticed, as it does today. It was from this period that nationalist tendencies took a backseat in Bengal and bishshomanobs (universal humanists) and bishshobiplobis (internationalist revolutionaries) went on rising steadily. Better to serve as a province of the West than to develop own templates of knowledge discourses, that seems to have been the motto of the educated Bengalis from 1940s onwards. We became the backwater of the West, a backward periphery that suddenly tries to wake up to the latest fashion of the metropolis and tries to imitate the advanced centre. 1(© 2016)8 Journal of Bengali Studies (ISSN 2277 9426), Vol. What followed next7 Journal of Bengali Studies (ISSN 2277 9426), Vol. Though the nationalist interregnum (the advent of Bankim can be thought of as its formal beginning) did not halt that process and in fact continued to exchange notes with the west, it nevertheless challenged the absolute hegemony of west in a dialectical manner. British colonialism accelerated the process. Since the Portuguese advent in Bengal, we have been in close touch with Europe. Not that we don't need Kafka, we need him very much. And yet it was this Bengal that once fiercely fought for independence from British not just political independence, but also spiritual, cultural, intellectual and economical independence. Nevertheless, at its core this remains a comprador tendency that supported perpetration of cultural hegemony of the West. Bengal's Group Theatre movement, art and culture during the later half of twentieth century, our cinema and literature, little magazine movement – they abound with examples of a unique flourish that was inspired by that entire Western spectrum ranging from communism to capitalism. And this is not to say that we have not gained anything from such impositions of the Western paradigms. This is not a place to map that trajectory in details. Clean up software for macThe struggle of the Bengali people during in the past hundred years of persecution (classically beginning in 1905, with the first partition), and the Bengalis as the sufferers of one of the largest, continuous genocides of the history of humankind deserve academic attention from researchers and humanists alike, and Gary Bass's Blood Telegram covers only a small period of our prolonged dark history. However, while China's chairman became our chairman, and we copied from western literature, and we parroted western theory in our academia, we also continued to inspire the rest of the world with our traditional treasures: our Baul songs, our folk culture, our indigenous heritage – they inspired academic interest from different parts of the globe. Any uncritical reading of this history is detrimental for serious academic quest. Under a system of patronage from various establishments, Bengal's monkey-ish turn to imitating the West in twentieth century happened with a vengeance. While a simple affinity or fondness for Britian was no longer on the card (the intervening period of history was too tortuous for that), a crafty method was adopted by our former rulers which ensured that Bengalis remain intellectually enthralled to various alternative domains of the west, from America to Russia. Restoration of the West presided over this ruination.
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